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Death of a
nation summary
Set a quarter of the way through the 21st Century,
'Death Of A Nation' is the struggle for identity and the
fight for equality in a world of Virtual Reality and
Cyberspace.
Society has divided into two groups. The faceless mass;
the 'Virtualites', ruled by the 'Overlords' and use the
'Cyberscape' as a way of life. Under them a 'Working
Force' who maintain the economy for the Virtualites.
A group of Working Force terrorists create a computer
virus that will change all this, but they need an
Overlord to release the virus into the system. They
kidnap Nicholas (An Overlord) and erase his memory in
the hope that he will join them and voluntarily deliver
the virus. Unknown to them, by releasing their virus
they will inadvertently release a virus more deadly than
any other created; P.S.Y.C.H.O.-T; The Psychotrance. A
virus that causes permanent brain damage resulting in
epilepsy, seizures and convulsions.
To make matters worse, two of the terrorists; Walls and
Jones, turn traitor to their cause, seduced by the
Overlord way of life that they replace while Nicholas
'disappears'. By the end, Walls and Nicholas play out
the ultimate clash of identity as Nicholas himself,
aided by terrorists Hanna and Lucy attempt to stop Walls
destroying the entire nation.
Target Audience
Before directly addressing the target audience, it is
necessary to identify why this script has been written.
Simply because of the current trend toward the Internet
and Cyberspace. They are a huge phenomenon, growing all
the time. I do not feel that films like 'The lawnmower
Man', 'The Net' or 'Johnny Mneumonic' have been
effective in showing a future of this new technology.
Also, although the new technology is popular, few
Science-Fiction films have tackled this area as it is so
new.
Primarily, the genre of this film would be
Science-Fiction and would therefore be aimed broadly at
the same audience. However, it should be noted that many
Science-Fiction films of latter-day creation are aimed
more toward the 'action' end of the market, where
dialogue has become less important to the actual
screenplay. Recent examples of this would be films such
as 'Judge Dredd' or 'Independence Day', where the action
is more important, making the film redundant and easy to
access. This screenplay does not fall into that genre. I
do not suggest that it is inaccessible either.
It is designed to appeal to those who wish to have a
film that engages them, rather than mindless action. It
contains intelligent thinking and purposely moves away
from patriarchal methods of typecasting, by introducing
an almost anti-Film Noir position. I have created female
characters that are not punished for their strength and
position. In contrast I have created irrational male
characters that are punished for their patriarchal
power-seeking desires. Perhaps then, this film is more
accessible to females than standard Hollywood films. The
screenplay is therefore aimed at a more intelligent
Science-Fiction/Thriller market.
In terms of age-groups and ethnic origins, the
screenplay does not seek a youth audience nor does it
purposely pursue a white-middle class audience. As I
have mentioned, the screenplay seeks an intelligent
audience. This can range from 18-65, if the interest is
Science-Fiction and new technologies. I feel that below
the age of 18, the message of identity and its
implications would be lost. However, if the target
audience age is designated by the characters themselves,
then we are observing an age group of early 20's to late
40's.
The screenplay was written using small amounts of an
unknown language. This reflects the time period of the
piece. The language, a mixture of German, Spanish,
French and Russian. I have attempted to use it in
moderation to replace contemporary language and
expletives, although they have been used in places, as I
feel they reflect a class and personalities. I
intentionally did not refer to a known area, so that the
screenplay could be adapted to work anywhere, be it the
U.S.A., U.K., Australia or Europe. This does however,
show a screenplay that seeks a majority white audience
in its use of language. Again, this is not the case.
Ethnic origins of the main characters has been left
anonymous, so that any can fill the roles; with one
exception. The character of Alvarez is Spanish.
In conclusion, the screenplay has attempted to bridge
many gaps and explore areas generally avoided by
Hollywood. It is a screenplay that is aimed at an
intelligent Science-Fiction/Thriller audience, who are
aged between 18-40, with no preference to ethnic origin,
but attempting to be appealing to women.
Ok lets read the script
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